Wednesday, August 08, 2007

ghastly, indeed


More clues about Europe before the World Wars, about the maps above: 1. Europe roughly after the Congress of Vienna 2. The corresponding language groups. From this website.

Congress of Vienna, on October 2, 1814


"What struck them first was the light. Sixteen thousand candles and thirty-two chandeliers lit up two ballrooms in the imperial palace, where the glass windowpanes had been replaced with mirrors, redoubling the splendor.

Geographically, the problem at Vienna was roughly the same as the one facing the Allies at Potsdam in 1945. Russia, which bore the brunt of the war against Napoleon, had marched its armies across Europe and was now effectively in control of Poland and much of Prussia. Alexander, who had a messianic dream of restoring Poland to the map as a kingdom under his control, refused to give back the parts of Poland that had formerly belonged to Prussia. As a result, Prussia sought compensation to the west, demanding to annex the independent kingdom of Saxony. Austria, meanwhile, under the wily conservative Metternich, hoped to maintain a balance of power, to rein in Alexander's ambitions, and to keep Prussia from dominating the smaller German states. It was a thoroughly unedifying spectacle, in which the great powers swapped cities and provinces like horse-traders, while the claims of small nations were ruthlessly ignored."



"Indeed, the Walser tone, hovering between beatific quietism and a burlesque of conventionality, is detectable in the immortal reply he gave a man who visited him at an asylum and asked about his writing: 'I am not here to write, but to be mad.'"



"Nancy Cunard paid a high price for her nonconformity. She was disinherited, arrested, beaten, institutionalized and eventually declared insane. Her legacy includes her refusal to regret, or attempt to explain, any of it.

Cunard was like "some invention, ghastly or not, of her own.... She didn't fit anywhere." That inconsistency or "passionate inconstancy," as William Carlos Williams called it, consisted of, as one male friend described it, "baffling contradictions"--she was passionate but unromantic, loyal but unforgiving, unconventional but fastidious, emotional but unsentimental, hedonistic but anorexic. Huxley summed her up as "one of those women who have the temperament of a man." Ghastly indeed."



"Characters die from humiliation in Max Ophuls or, to put it cruelly, they die from frustration. {…}Absorbed totally in passion, nothing else exists, as Stendhal says again, and frustrated passion crystallizes like crazy, becomes obsession, and dominates us totally. {…}Passion makes us prisoners first, then criminals."

Then, in the interest of getting away......

"The problems started when I put down my fork. Unable to find it among the plates, wine glasses, and baskets of bread, I resorted to shovelling steak into my mouth by hand - but I didn't worry about offending the well-mannered Parisians seated nearby. They couldn't see a thing."