I blogged about Harold Stearns before: critic and intellectual. I ran into a Times article about his death; notice the date, it was written in 1943.
Perhaps the most expatriated of the young expatriates was Harold Stearns, who was known to his intimates as a "picturesque ruin." Behind Harold Stearns, in America, lay the broken promise of a brilliant career—essays in The New Republic, editorship of The Dial, prime mover of the famous iconoclastic symposium Civilization in the United States. To the ruin of his career, Expatriate Stearns seemed anxious to add the ruin of himself. The news of his death caused friends to remember the days when, as he confessed in his autobiographical The Street I Know, he made a career of drink and an occupation out of borrowing money. Remembering the stir caused by his symposium, viper-tongued critics would say: "There goes American civilization—in the gutter."