Showing posts with label cioran. Show all posts
Showing posts with label cioran. Show all posts

Wednesday, January 09, 2008

to the coast





“I am lured away by faraway distances, the immense void I project upon the world. A feeling of emptiness grows in me; it infiltrates my body like light an impalpable fluid. In its progress, like a dilation into infinity, I perceive the mysterious presence of the most contradictory feelings ever to inhabit a human soul. I am simultaneously happy and unhappy, exalted and depressed, overcome by pleasure and despair in the most contradictory harmonies.” -E.M. Cioran, Degradation Through Work

The Paris Review Interviewer: “How do you name your characters?”

Dorothy Parker: “The telephone book and from the obituary columns”

Sunday, April 01, 2007

anchoress

10. Time is a tyranny to be abolished.
-From the twelve propositions of transition magazine, Paris 1927-1938


"This being in love is great-you get a lot of compliments and begin to think you're a great guy."
-F. Scott Fitzgerald from Notebooks (The Crack-Up)

"When you get over an infatuation, to fall for someone ever again seems so inconceivable that you imagine no one, not even a bug, that is not mired in disappointment."
-E.M. Cioran Lure of Disillusion

Friday, March 03, 2006

Chytridiomycota

[Cioran on England] "The country has not produced, to my knowledge, a single anarchist."

Here's a little excerpt abut Cioran written by Duncan Fallowell:

"As the high priest of cynicism, Cioran raises negativity to the most positive of virtues. He writes like a Nietzsche streamlined by Cocteau in the 1930s and given a flick knife by Camus in the 1950s. Cioran is the only modern philosopher who is also a great writer, turning extreme anguish into supreme elegance."


On another note, last night I started reading Flaubert's Madame Bovary for the third time.
The first time was when I was in high school; the second, while I was in college, now after reading inexcusable amounts (any amount would be inexcusable) of lit-crit, and after reading the wonderfully cogent Llosa book, The Perpetual Orgy that focused on Llosa's own obsession of M. Bovary and how Flaubert's novel changed the literary landscape; I decided to embark on this particular textual voyage once again.

The most striking element I noticed is the cadence of the writing. Granted, I am reading a translation, and I am aware of how much I will lose, but this translation (as mentioned in the intro) maintains much of the cadence. I am drawn into the sentence's rhythm; it alters the measure of my own thoughts. I will have to capture some paragraphs and present them at a later entry……

This weekend: art, Western Naturalists and possibly noise……..